John Irving, one of the worlds greatest novelists, returns with his first novel in seven years -- a ghost story, a love story, and a lifetime of sexual politics. In Aspen, Colorado, in 1941, Rachel Brewster is a slalom skier at the National Downhill and Slalom Championships. Little Ray, as she is called, finishes nowhere near the podium, but she manages to get pregnant. Back home, in New England, Little Ray becomes a ski instructor. Her son, Adam, grows up in a family that defies conventions and evades questions concerning the eventful past. Years later, looking for answers, Adam will go to Aspen. In the Hotel Jerome, where he was conceived, Adam will meet some ghosts; in The Last Chairlift, they arent the first or the last ghosts he sees. John Irving has written some of the most acclaimed books of our time -- among them, The World According to Garp and The Cider House Rules. A visionary voice on the subject of sexual tolerance, Irving is a bard of alternative families. In The Last Chairlift, readers will once more be in his thrall. Lire la suite Fermer

Set among the apple orchards of rural Maine, it is a peverse world in which Homer Wells' odyssey begins. As the oldest unadopted offspring at St Cloud's orphanage, he learns about the skills which, one way or another, help young and not-so-young women, from Wilbur Larch, the orphanage's founder -- a man of rare compassion and an addiction to ether.

The Berry family are different. Love abounds - both healthy and incestuous. It is the overwhelming desire of the Berry father to run a hotel, which he does, with dubious success, in both a former girls' school in New Hampshire, and in Vienna. This is a conventional family saga.

A breathtaking story of a father and a son in 20th-century North America from the award-winning author of A Prayer for Owen Meany.
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, a twelve-year-old boy mistakes the local constable's girlfriend for a bear. Both the twelve-year-old and his father become fugitives, pursued by the constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them. In a story spanning five decades, Last Night in Twisted River - John Irving's twelfth novel - depicts the recent half-century in the United States as a world 'where lethal hatreds were generally permitted to run their course.' From the novel's taut opening sentence to its elegiac final chapter, what distinguishes Last Night in Twisted River is the author's unmistakable voice, the inimitable voice of an accomplished storyteller.
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It is 1967 and two Viennese university students decide to liberate the Vienna Zoo, as was done after World War II. The eccentric duo, Graff and Siggy, embark on an adventure-filled motorbike tour of Austria as they prepare for 'the great zoo bust'. But their grand scheme will have both comic and gruesome consequences, as they are soon to find out.

'If you care about something you have to protect it. If you're lucky enough to find a way of life you love, you have to find the courage to live it.' Eleven-year-old Owen Meany, playing in a Little League baseball game in Gravesend, New Hampshire, hits a foul ball and kills his best friend's mother.



Owen doesn't believe in accidents; he believes he is God's instrument. What happens to Owen after that 1953 foul ball is both extraordinary and terrifying.

Jack Burns' mother, Alice, is a tattoo artist in search of the boy's father, William, a virtuoso organist, who has fled America to Europe. To fund her journey, she plies her trade in the seaports of the North Sea as she tracks her four-year-old son's errant father. But Alice is a mystery, and William can't be found. And even Jack's memories are subject to doubt.

After forty years, John Irving returns to the world of his bestselling classic novel and Academy Awardwinning film, "The Cider House Rules", revisiting the orphanage in St. Cloud's, Maine, where Dr. Wilbur Larch takes in Esthera Viennese-born Jew whose life is shaped by anti-Semitism.

Tells a story of unfulfilled love - tormented, funny, and affecting - and an impassioned embrace of our sexual differences. In this novel, Billy, the bisexual narrator and main character, tells the tragicomic story (lasting more than half a century) of his life as a 'sexual suspect'.

In a spirited opening piece, John Irving explains how he became a writer. There follow six scintillating stories written over the past twenty years, inlcuding The Pension Grillparzer, previously only to be found inside The World According to Garp, and now given its first independent airing.

Fred 'Bogus' Trumper is a wayward knight-errant in the battle of the sexes and the pursuit of happiness. He also happens to have a complaint more serious than Portnoy's. Yet he stubbornly clings to the notion that he'll make something of his life, and is about to commit himself to a second marriage that bears remarkable resemblance to his first.

The doctor was fated to go back to Bombay; he would keep returning again and again - if not forever, at least for as long as there were dwarves in the circus.' Born a Parsi in Bombay, sent to university and medical school in Vienna, Dr Farrokh Daruwalla is a Canadian citizen - a 59-year-old orthopaedic surgeon, living in Toronto. Once, twenty years ago, Dr Daruwalla was the examining physician of two murder victims in Goa. Now, two decades later, the doctor will be reacquainted with the murderer...

While reporting a story from India, a New York television journalist has his left hand eaten by a lion; millions of TV viewers witness the accident. A married woman in Wisconsin wants to give the reporter her husband's hand, that is, after her husband dies. But the husband is very much alive.

This is the life and times of T. S. Garp, the bastard son of Jenny Fields - a feminist leader ahead of her times. It is also the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes - even of sexual assassinations. It is a novel rich with 'lunacy and sorrow'; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. It provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."